2. Palacio de los Olvidados
The name of the 16th-century Sephardic Jew palace literally means “palace of the forgotten” and is located at the end of Cuesta de Santa Inés. The several coats of arms on the façade suggest this palace belonged to a converted Jew who suffered a blood purity process.
The palace hosts a museum with two permanent exhibitions: La Inquisición. Antiguos instrumentos de tortura (Spanish Inquisition. Old torture instruments) and Casa Sefardí (Sephardi house).
Numerous Sephardic Jews contributed to the city’s development and even the name of Granada has a Jewish origin. However, there are few historical evidences of the presence of this community in the city. The family aims to fill the cultural and historical gaps concerning the presence of Jews in the city of the Alhambra.
The exhibition about the Sephardi culture includes objects and documents from different times: from lamps of the II century to the XX century Hanukkah Menorah. Discover Jewish culture from a mostly forgotten and different point of view through the exhibition and accounts. Travel guides does not often explain this important point of view, but it is another piece of the puzzle of the city’s history.
3. Conventos, iglesias y monasterios
– Convento Santa Isabel la Real: Isabella the Catholic founded this convent in 1501. It is next to the Palacio de Dar al-Horra and stands inside a group of buildings that belonged to the Nasrid Royal Family. Isabella the Catholic gave these buildings to her secretary Don Hernando de Zafra. Some time later, Don Hernando de Zafra exchanged these buildings for some properties in Carrera del Darro. This Clarisse Sisters Convent holds a great artistic and architectural interest. One of the most remarkable elements is its gothic-style façade. The architect was Enrique Egas, the same architect of the Capilla Real. The Mudejar-style ceiling of the convent is one of the most beautiful in the city.
– Convento de la Inmaculada Concepción: Doña Leonor Ramírez founded this convent in 1523 for the sisters of the Third Order of Saint Francis. It is located next to Carrera del Darro in the surroundings of the Albayzín. The gothic church inside the convent is extraordinary. The ground plan is a rectangle, and there are two lintelled spaces over it. The artistic heritage of the convent includes pieces of art from the main artists of the time such as Alonso de Mena, Pedro de Mena, Jacobo Florentino, José de Mora or Ruiz del Peral.
– Iglesia de San Nicolás: This church fulfilled the spiritual needs of dozens of generations in the Albayzín for four centuries. Since the 9th of June 2012, the local association Amigos de San Nicolás opens this iconic monument daily for Granada citizens and tourists. Visitors can climb up to the top of the bell tower and enjoy a unique landscape and beautiful sunsets. Amigos de San Nicolás is an association of volunteers of all ages that aims to bring a new energy to the 16th-century church through religious, cultural, social and heritage activities. These activities are intended for the many and diverse visitors of the Mirador de San Nicolás. These visitors can admire the building’s architecture, visit the exhibition about the history of the church, pray, light up a candle to honour its saint, request information about the Albayzín or purchase an Andalusian handcraft souvenir.
– Palacio de Dar al-Horra: This palace was originally a part of a larger property with orchards and gardens. Isabella the Catholic transferred these lands to build a convent called Convento de Santa Isabel la Real. Palacio de Dar al-Horra is located in the upper part of the Albayzín, where Zirid kings lived. The palace is in the middle of a maze of narrow alleys and walls that preserve the intimacy of the charming villas. The name Dar al-Horra stands for “House of the honourable lady”. Moreover, it was the last house of the Queen Sultana Aixa, Muley Haccem’s legitimate wife and Boabdil’s mother. Boabdil was the last Arab king of Granada. Dar al-Horra is an emblematic example of palace architecture, and its structure and decoration are characteristic of the Nasrid art. The building is made up of a central courtyard with a pond. The private rooms are distributed around the central courtyard, which has two porticoes on the smaller sides. The most interesting area is the north portico, where there is a splendid view of San Cristóbal Mountain and the west of the city. The inscriptions carved on the plaster remark the private nature of the house. Some of the Arab inscriptions mean “Blessing”, “Happiness”, “Health is eternal” and “Joy is constant”.
– Iglesia de San Miguel Bajo: This church stopped its religious services in 1842. Since then, the church has lost most of its artistic value. Nonetheless, its historic value has been preserved, as it was one of the most crowded churches of the Albayzín. Moreover, it is possible to admire two types of Mudejar ceilings in the two sections of its single nave. Its architectural value can also be admired in the Renaissance façades. This church is located in the area of the Albayzín with most monuments. The 13th century cistern attached to the building belonged to the early mosque
– Abadía del Sacromonte: According to Granada Hotel and Tourism Companies Federation data, the Sacromonte Abbey is one of the five most visited monuments in Granada, along with the Alhambra, the Albayzín, the Capilla Real (Catholic Monarchs’ mausoleum) and the Hospital Real (an hospital commissioned by the Catholic Monarchs). The Sacromonte abbey stands at the top of the valley of Valparaíso, over the Darro Riverside, and it crowns the district that bears its name. This Abbey is a 400-year-old institution. An outstanding place located in a unique natural environment that has been for centuries one of the main spiritual and cultural centres in Andalusia. For further information, visit: https://albaicinparaiso.com/albaicin-connection/